![]() ![]() Although it features a nice small “big band” sound (augmented at times by voices), it also finds a place for some distant shouts and a canonlike section superimposed over an ostinato bass line. And Jensen’s “Rusty Rayburn and Piggy Lee” turns out to be an altered blues of 11 bars only. Join us for our Jazz Sunday Brunch Train and enjoy a delicious, freshly prepared 3-course meal and 2 hour ride while listening to a talented trio of jazz. Youll find your perfect blend of live music, stunning scenery, and warm weather concert fun across Massachusetts. The Dylan song begins chorale style, with a dissonant horn choir underneath the bass clarinet, before shifting into tempo for the solos. ![]() His chart on the former tune, in which the melody is doubled in the piccolo and bass, is but one case in point. Released, 1976 Recorded, 7 September 1976 RYM Rating, 3.78 / 5.00.5 from 8,850 ratings Ranked,, 1,626 overall Genres. But Jensen’s arrangements of his own compositions, along with “On Green Dolphin Street” and Bob Dylan’s “My Back Pages,” demonstrate a quirky imagination that keeps the interest high. Mastered at half speed, 140g vinyl, Tracks: A1: It Could Happen To You A2: I Want To Talk About You A3: Early Summer B1: Willow Weep For Me B2: Autumn. Its fine soloists tend to favor the mainstream post-Coltrane modal/hard bop approach when not taking the occasional free-jazz flight. Completely under the radar until its miraculous recent online rediscovery, Sapporo-based pianist Ryo Fukui’s 1976 record Scenery has come to be seen as emblematic in jazz’s international history. official reissue of Ryo Fukuis highly sought-after masterpiece Scenery (1976). Courtesy of We Release Jazz/WRWTFWW Records. A Mind for the Scenery (Origin), from Portland, Ore., woodwind player Tim Jensen, offers a potpourri of styles, from funk to funereal to free, and there’s not a dull moment on it. We Release Jazz (WRWTFWW Records new sister-label) is proud to prese. ![]()
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